Eternity Parent Guide
With a thoughtful, funny script, this film takes the romance genre in new directions.
Parent Movie Review
Death is not what Joan (Elizabeth Olsen) expected. After breathing her last, she finds herself in a confusing place known as the Junction, which is part train station, part convention hall. She’s informed by her AC (Afterlife Coordinator) that she has one week to pick the eternity she wants – and boy, are there are lot of choices. Beach World, Mountain World, Nudist World, Springtime World, Man-Free World (at full capacity; another version coming soon) - all are hers for the choosing.
This decision pales in comparison to the larger one in front of her: at the Junction, she is reunited with her husband, Larry (Miles Teller), who recently predeceased her, and with whom she shared 65 years of marriage. Joan also encounters Luke (Callum Turner) to whom she was briefly married before his tragic death in the Korean War. Not only does she need to choose where to spend eternity, she must decide who she wants to spend it with.
There are a lot of things that Eternity does right and at the top of the list is the cast. Elizabeth Olsen grounds this film with an intensely emotional performance as she is paralyzed by her love for both men and the impossibility of the choice. Both Miles Teller and Callum Turner match her with performances melding love, devotion, fear, and insecurity. Best of all, the men are both appealing (and sometimes annoying), which makes it hard for the audience to root for one over the other. This is an emotionally rich film that just might have you reaching for your hanky. (My eyes stayed dry, but I have a shriveled critic’s heart.)
The script also deserves commendation: it’s rare that a romantic drama treads new ground. “Unexpected” and “unpredictable” are not words I usually apply to romantic flicks, but I was delighted to watch this film, never knowing what was happening next or how the story would end. The script is dotted with comic moments, sight gags, and witty one-liners: this was written by someone who knew what they were doing. The little details are worth savoring – particularly the multiple (and often hilarious) potential eternities.
On the flip side, I am unhappy with the level of negative content in the film. There’s a completely unnecessary sex scene, which is dimly lit but still could easily have been omitted from the story. Ditto for repeated sexual conversations and four dozen-plus profanities. Parents will also object to the frequent alcohol consumption and scenes of intoxication. This could easily have been a PG film, but the unwarranted negative content pushes it into PG-13 territory.
I’m certain that Eternity is one of those films that will trigger plenty of discussion amongst moviegoers: some will be charmed and others (particularly with strong religious beliefs) will be appalled. But whether or not you like the movie’s view of the afterlife, the story imparts some strong, positive messages about love, loyalty, devotion, selflessness, and sacrifice. It even makes audiences think as well as feel, and when it comes to romantic movies, that’s a win.
Directed by David Freyne. Starring Miles Teller, Elizabeth Olsen, Callum Turner. Running time: 112 minutes. Theatrical release November 26, 2025. Updated November 28, 2025Watch the trailer for Eternity
Eternity
Rating & Content Info
Why is Eternity rated PG-13? Eternity is rated PG-13 by the MPAA for sexual content and some strong language.
Violence: A man chokes and then dies off screen. There is a brief deathbed scene of an elderly woman. There’s mention of a man’s death in a war. Two men repeatedly tussle with each other, with some shoving and hitting. Conversations include brief discussion of how people died. A child describes his painful death in a hit and run accident but without detail. Police tackle a man.
Sexual Content: There are scenes of a man and woman kissing. There is a dimly lit marital sex-scene from the shoulders up with some panting and thrusting. A couple have sex below screen: her clothed hips are briefly seen on the bottom of the screen. Deceased men are pleased to learn that their genitals are functional in the afterlife. There’s mention of a woman’s status as a closeted lesbian and a past lesbian fling. People briefly discuss porn and some images of bikini-clad women are briefly seen. There’s mention of a man’s sexual escapades including experimentation with gay sex and BDSM but with no explicit detail. There’s brief mention of polyamory. A TV clip of a nudist colony carefully covers explicit anatomical detail.
Profanity: The script contains a single sexual expletive and at least two dozen terms of deity, ten scatological curses, and 18 mild profanities. There is a sexual hand gesture.
Alcohol / Drug Use: Main characters consume alcohol alone, in social situations, and in bars. Main characters become intoxicated several times: on one occasion, all main characters are drunk at the same time. An intoxicated singer stumbles down the stairs. A man offers cocaine as an inducement for people to choose the eternity he is promoting. A person promotes cigarettes with the tagline: Because cancer can’t kill you anymore.
Page last updated November 28, 2025
Home Video
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Movies about romantic triangles are their own sub-genre. Casablanca is a classic, with Ingrid Bergman playing a woman who is torn between love and duty. A reserved man faces the same choice in The Age of Innocence. Rosaline recasts Shakespeare’s Romeo and Juliet into a comedy focused on Romeo’s recently dumped girlfriend. In Materialists, a modern-day matchmaker faces her own dilemma, choosing between two men. Cyrano is a particularly poignant tale of a man who helps a friend win the woman he loves by writing romantic letters on his behalf.
There are several family-friendly films that feature the afterlife. In the animated film The Book of Life, two men find their pursuit of the beautiful Maria disrupted by those in the world of the dead. Tim Burton’s Corpse Bride sees a mortal man who is unwillingly wed to a deceased woman. Soul is less concerned with the afterlife than what happens before birth: this Pixar classic asks big questions about the choices we make.